Seascape in oils demonstration
Melissa chose grey as the ‘mother colour’ made from burnt umber, French ultramarine and white. She then mixed blobs of this with various blues, red and yellows to give a cohesive range of colour and tone. Her canvas board had been prepared with a ground of burnt sienna in acrylic. After making a loose sketch on the board in a mid-tone grey with a brush, she then turned to palette knife and started to fill in areas of dark and light from the pre-mixed colours on the palette. The scene really started to come to life at this early stage.
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